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New
York: In her continuing quest to explore the connection between
the fine and decorative arts, Deborah Buck, who owns The Gallery
at Buck House, located at 1326 Madison Avenue, has once again
enlisted the curatorial expertise of Charlie Scheips, to collaborate
on their second exhibition called Seeing
Blue. Scheips has
selected a wide range of work by some of today's leading contemporary
artists who have a demonstrated a particular predilection for
the color blue in their work. These works of art will be complemented
by design objects and furniture selected by Ms. Buck. Paintings,
drawings, photographs and sculpture to be featured include works
by Jay Battl, Jack Pierson, Michele Zalopany, Joseph La Piana
and over a dozen other artists. The show opens on September 20
and runs through October 30, 2006.
"Seeing
Blue" is less cerebral in selection, and of a decidedly more
sensual and visual passion," said Scheips whose last exhibition
at The Gallery at Buck House was Manhattan: Glamour. It was inspired
by Deborah Buck's obsession with turquoise which has informed
her aesthetic and design instincts to form a signature palette
for Buck House, the sister antiques shop at 1264 Madison Avenue,
she opened five years ago," he explained.
When
asked why she gravitates so strongly to the color blue, Ms. Buck
theorized that everyone has a color that lives inside themselves
and hers is blue, specifically turquoise. "Every color has
it's own associations, references, history, private and public
meaning," she said. "It is a vehicle for an intellectual
exercise in order to create a cohesive collaboration between fine
art, furniture and objects. By limiting oneself, creative possibilities
emerge.
Among the exhibition highlights are: Italian ceramics from the
1960s and 70s from Raymor Bitossi and Marcello Fantoni; Venetian
glass from the 1950s by Ercole Barovier; a pair of classic 1950s
Eames aluminum chairs in their original cobalt blue leather; a
1950s French blue tile-topped table signed by C. de Savigny; 19th
century Chinese blue and white Canton ceramics; a pair of Baccarat
crystal lamps with blue silk custom shades; and a selection of
Swedish, Chinese and Persian rugs from the F.J. Hakimian collection.
According
to Scheips, artists have been drawn to the blue for 4,000 years,
when Egyptian artisans first began grinding lapis lazuli--- creating
pigments to decorate tombs and sarcophagi of the pharaoh's royal
court. "Blue is the color of sky and water-the light of the
sun creates what our human eye sees as blue," he said. "Picasso's
Blue Period at the turn of the 20th century was an impoverished
and melancholy prelude to his majestic and revolutionary cubism.
Yves Klein's exuberant modernist minimalism was the ultimate mid-century
paean to chemical technology-with Klein even creating and patenting
his namesake color. David Hockney's sun-drenched Los Angeles spaces
were created largely by his liberal use of a variety of blues
for his pools and landscapes of the 1960s and 70s as well as his
work in photo-collage and theater design work. Even today, if
one looks carefully, one can see an infusion of blue in many of
the most interesting contemporary artists."
"Blue
has many contradictory meanings," continued Scheips. "A
blue sky represents optimism while a blue movie is a pornographic
film. During the 2000 US elections, the choice of blue to represent
the Democratic Party versus the red of the Republicans ushered
in a reversal of meaning of the two colors connoting liberalism
and conservatism. While aristocrats may have blue blood due to
the paleness of the skin-- a blue-collar worker is the bottom
of the business work force. The Blues is a music genre with its
essential blue notes found between the regular notes of the musical
scale. Composers from Johann Strauss to George Gershwin to Joni
Mitchell have all written waltzes, rhapsodies and entire suites
of songs as odes to blue."
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